1.

4 after C

hrn III,IV play like echo.

2.

4 before G

strings; every time a voice has the augmented fourth, it should be heard, like first and third beat in viola's, second beat in vl II, fourth beat in vl I.

3.

3 before I

flutes, add octave b on last sixteenth of third beat.

4.

1 before I

strings add cresc. on second beat.

5.

3 before K

tr, trb dim missing on last note.

6.

Attacca to Second movement.

7.

3 after A

cb, correct like 6 before H.

8.

7 before B

vl II,vla, vc down,up alla corda.

9.

D

strings legato, last note not too short.

10.

D

no cresc.

11.

8 after E

tempochange like B.

12.

14 before L

cb two downbows.

13.

12 before L

vc two downbows.

14.

3 before L

vla, cb last three notes; up down up.

15.

8 after L

fg add three sixteenth notes at the end of the bar to reinforce cb and vla, same in next bars.

16.

second last bar

vl I, II short last note

17.

Take time to begin Third movement

18.

1 before B

quasi echo in cl.

19.

7 before D

vl I change in pp, vl II keep p.

20.

6 before D

vc poco p, usually too much.

21.

3 before D

vc cresc not too much, mf.

22.

1 before D

little cresc to sub.pp in second beat in D (take upbow).

23.

3 after D

vla, if not strong enough reinforce with vl II. (two bars).

24.

11 after D

vl I, remark eigth note at the end of the bar, also 12 after D.

25.

3 after E

cl not too soft, like hb before.

26.

5 after E

cb pizz legato vibrato.

27.

4 before F

funny entrance in trp ? you never hear clearly and otherwise it disturbs melody.

28.

5 before G

hrn I, weak entrance, later hrns should not cover fl.

29.

4 before G

cl echo.

30.

1 before G

fl, remark dissonance with vc on third beat.

31.

2 after G

hrn I, remark dissonance with strings, therefore not too strong and legatissimo.

32.

4 after G

funny bar, dynamics ? septime important.

33.

7 after G

cl, fg have already final theme, important.

34.

10 before end

hrn II, IV out.

35.

Attacca to Fourth movement.

36.

2 after B

hrns, no augmented fourth !

37.

7 after B

Cl, fg, hrns very difficult bar.

38.

15 after C

pk, actually no difference with trill.

39.

8 after F

pk solo.

40.

G

hrns nat.

41.

12 after G

str. legato.

42.

24 before H

vl I, II accent on first note.

43.

3 after H

vl I play eight note on second half of second beat, like winds.

44.

8 after H

trp cue.

45.

I

minore ? question ?

46.

5 after I

vla first beat should be a-flat.

47.

7 after I

vla first beat should be g-flat.

48.

4 before K

cl I should play sounding c, written e-flat, cl II sounding e-flat, written g-flat.

49.

5 after K

cl I change to sounding e-flat, written g-flat.

50.

7 after L

fl I, hb I, trill with fis-is, in order toget the augmented fourth again.

51.

11 after L

fg also trills, like fl, hb.

52.

11 before M

hrns have augmented fourth here (is first time wrong?)

53.

11 after M

hrns again augmented fourth.

54.

14 after M

vl I miss the beginning of the run in parts.

55.

4 after N

str. accents.

56.

5 after O

hrn III remark the octave, also later.

57.

6 after P

cb very clear last eight note.

58.

12 after P

trb II cue!

59.

8 before R

str legatissimo.

60.

3 after R

hrns also accent on eight note.

61.

6 after R

trb II cue.

62.

9 after R

trb III cue.

63.

10 after R

cb add e-flat on last eight note and b-flat on next bar for one quarternote.

64.

5 before S

trp last note very clear.

65.

4 before S

gl one octave up, otherwise not heard.

66.

11 after S

vl I fis-is tight with g-sharp next bar.

67.

16 after S

fl, hb mp.

68.

20 after S

fl, hb mf.

69.

5 after T

winds poco f.

70

9 after T

winds f.

71.

12 before U

cb clear in last two notes.

72.

5 after W

up, down, down.

73.

12 after W

fl I less then before.

74.

16 before W

fl I pp and no cresc.

75.

last two bars

both upbow.